Neo-Confucianism, the state sponsored orthodoxy of China's later empires, is now recognized as an important key to understanding China. This study looks at the roots of Neo-Confucianism in an age when Buddhism and Taoism had eclipsed the Confucian tradition in importance. Li Ao (c. 772-836 A.D.), though generally acknowledged as a forerunner of Neo-Confucianism, is still regarded as deeply influenced by Buddhism. The historical reasons for the creation of this image of Li Ao are examined, prior to a close investigation of the actual circumstances which shaped his "Fu-hsing shu" "Book of Returing to One's True Nature" the essay which had the deepest influence on the development of early Neo-Confucianism. Although common assumptions about Buddhist influence on Li Ao are questioned, the true importance of the essay emerges in the typically Chinese patterns of thought which it exhibits and which gave it an impact transcending the immediate circumstances that prompted its writing.

This edited volume investigates translations from the languages of China into the languages of Western societies, from the 17th to the 20th centuries. Rather than focusing solely on the activity of translation, the authors extend their explorations to cover the contexts within which the translators worked from different perspectives, touching on various aspects of the institutional and intellectual backgrounds that informed their writings. Studies of translation from literary Chinese into English constitute the majority of the contributions, but the volume is also illuminated by excursions into Latin, French and Italian, while the problems of translating the Naxi script are confronted as well. In addition, the wider context of the rendering of Chinese into other languages is explored through a survey of recent Japanese translation series. Throughout the volume, translation is presented not simply as a linguistic exercise but rather as a key element in world history, well worthy of further interdisciplinary investigation.

This beguiling book asks a set of unusual and fascinating questions - why is early Chinese printing so little acknowledged, despite anticipating Gutenberg by centuries? Why are the religious elements of early printing overlooked? And why did printing in China not have the immediate obvious impact it did in Europe? T. H. Barrett, a leading scholar of medieval China, brings us the answers through the intriguing story of Empress Wu (625-705 AD) and the revolution in printing that occurred during her rule. Linking Asian and European history with substantial new research into Chinese sources, Barrett identifies methods of transmitting texts before printing and explains the historical context of seventh-century China. He explores the dynastic reasons behind Empress Wu's specific interest in printing and the motivating role of her private religious beliefs. As Renaissance Europe was later astonished to learn of China's achievement, so today's reader will be fascinated by this engaging perspective on the history of printing and the technological superiority of Empress Wu's China. T. H.Barrett is Professor of East Asian History at the School of Oriental and African Studies, University of London. Among his books are 'Li Ao: Buddhist, Taoist, or Neo-Confucian?', 'Taoism Under the T'ang', and, with Peter Hobson, 'Poems of Hanshan'. He serves on the editorial boards of 'Buddhist Studies Review' and 'Modern Asian Studies'.

Hanshan, which means Cold Mountain, was the pseudonym adopted by an unknown poet who lived in China as a hermit twelve hundred years ago. The poems collected under his name have had an immense impact worldwide, especially among Zen Buddhists, and have been translated into many languages. Peter Hobson's translation of more than a hundred of the poems, almost all of which are published for the first time in this volume, brings those qualities of timelessness, poetic diction and engaging rhythm that do justice to the concepts and language of the original. This edition includes not only a clear and succinct introduction for the general reader but also highly informative sections on Hanshan's place in history and on issues involved in translating Hanshan.

Hanshan, which means Cold Mountain, was the pseudonym adopted by an unknown poet who lived in China as a hermit twelve hundred years ago. The poems collected under his name have had an immense impact worldwide, especially among Zen Buddhists, and have been translated into many languages. Peter Hobson's translation of more than a hundred of the poems, almost all of which are published for the first time in this volume, brings those qualities of timelessness, poetic diction and engaging rhythm that do justice to the concepts and language of the original.